Do You See What I See?
Variable thicknesses of the organic source can often create an abstract lumen image that resembles nothing at all like the original plant. It’s those abstract images that stimulate conversation.
All that’s Gold doesn’t Glitter
In an earlier post, I discussed the history of sepia toning and its use in the early days of photography. Before I started sepia toning my gelatin silver prints, I used one of two different toners that enhanced tonal quality and archival (longevity) properties of black and white prints. Most of the time, I immerse…
The Color of Memory
Until recently, I wasn’t aware of the reason sepia-toned photographs. I learned the reason was not purely aesthetic. Early photographic papers weren’t very stable, and the process of sepia toning added a protective layer that improved the longevity and durability of photographs. The fact that so many of these photographs still exist, nearly 100 years…
DREAMSCAPE: The Garden of Your Mind
I’m excited to present DREAMSCAPE at the Jung Center from April 5 through May 14. My selection of lumen prints of leaves and flowers seldom represent reality but more closely represent what you might find in your dreams. While you can quickly identify the flowers and trees in many photographs, others will leave you guessing.
Something went wrong. Please refresh the page and/or try again.
Behind the Lens
Follow me for some behind-the-scenes information about my art, activities, and special events!
Subscribe to My Blog
Get new content delivered directly to your inbox.