Do You See What I See?

Variable thicknesses of the organic source can often create an abstract lumen image that resembles nothing at all like the original plant. It’s those abstract images that stimulate conversation.

It’s a FOTOFestival!

March in Houston marks the start of Bluebonnets and spring festivals. On alternate years, it’s also the year of FotoFest. This year’s theme is Critical Geography, and I’m fortunate that I’m associated with two organizations that are serving as Participating Spaces.

Rest Stop, On the Road Again

This image was printed from film in a traditional wet darkroom. Following printing, it was bleached and hand-toned in sepia toner. This framed print is part of the Progress/Progresso exhibition at Silver Street Studios.

Celebration!

July is shaping up to be a pretty good month for me. I’ve had three pieces juried into exhibitions–two of them being international. Archway Gallery is hosting the local exhibition and the juror is Rosa Ana Orlando. Although I don’t expect many of my friends to make the trip to PhotoPlace Gallery in Vermont orContinue reading “Celebration!”

Not All Exposure Times Are Created Equal

My studio at Silver Street Studios contains B&W and lumen prints. One of the more common questions I’m asked has to do with time, as in, how long does it take to make a lumen print? Although the standard answer is, “it depends,” most people are shocked to learn that although it takes a matterContinue reading “Not All Exposure Times Are Created Equal”