Do You See What I See?

Variable thicknesses of the organic source can often create an abstract lumen image that resembles nothing at all like the original plant. It’s those abstract images that stimulate conversation.

All that’s Gold doesn’t Glitter

In an earlier post, I discussed the history of sepia toning and its use in the early days of photography. Before I started sepia toning my gelatin silver prints, I used one of two different toners that enhanced tonal quality and archival (longevity) properties of black and white prints. Most of the time, I immerseContinue reading “All that’s Gold doesn’t Glitter”

In Like a Lion and Out Like a Daffodil

Like spring, the Yellow Daffodil represents new beginnings, happiness, rejuvenation, and hope. This member of the Narcissus family sports a sunshiny bloom that foretells the beauty and warmth of spring, which arrives on March 20 this year.

Roses, My Flower for February

Technically, the February birth flowers are the violet and the iris. Regardless of the tradition, as far as I’m concerned, this month’s flower should be the rose. Roses’ meaning varies depending on cultural significance, the color of the bloom, and the number of roses given. Depending on their color, roses symbolize love, purity, friendship, gratitude,Continue reading “Roses, My Flower for February”

Lumen Prints–A Paradox?

The creation of lumen prints is somewhat of a paradox because these beautiful color prints are made with the black & white photo paper that I use to print my photographs from film in the darkroom.

It’s a Really BIG Show

Many of my friends and I often try to get into a couple of local visual arts exhibitions. I’ve been accepted into both of them at different times, but never during the same year. Lawndale Art Center, one of the two exhibition sponsors, recently announced their call for entry for the 2024 BIG Show. I was accepted into their 2023 juried exhibition and enjoyed my eight-month relationship that ended with an auction and brunch at their facility.

It’s a FOTOFestival!

March in Houston marks the start of Bluebonnets and spring festivals. On alternate years, it’s also the year of FotoFest. This year’s theme is Critical Geography, and I’m fortunate that I’m associated with two organizations that are serving as Participating Spaces.